On the French Riviera, glamour, politics, and cinema have converged once again as the 78th Cannes Film Festival unfolds from May 13 to 24. What was expected to be a celebration of global cinema has become a powerful stage for cultural and political discourse.
The opening night honored legendary actor Robert De Niro with the Honorary Palme d’Or for his lifetime achievements. But his acceptance speech quickly turned political as he criticized U.S. President Donald Trump for proposing a 100% tariff on foreign-made films, calling him “America’s philistine president” and urging the international community to protect artistic freedom. His remarks drew both applause and debate, immediately setting the tone for a politically charged festival.
The festival, as always, reflects the world’s complex realities. One of the most discussed films this year is “Put Your Soul on Your Hand and Walk” by Iranian director Sepideh Farsi, a drama set in Gaza. Against the backdrop of ongoing conflict, the film resonated deeply beyond the screen. It was dedicated to the memory of Palestinian photojournalist Fatma Hassona, who was tragically killed in Gaza. In a gesture of solidarity, more than 300 filmmakers signed an open letter expressing concern for civilians in conflict zones. Festival organizers emphasized that Cannes has long been a space where cinema confronts difficult subjects while avoiding one-sided political narratives.
Another major talking point has been the new dress code on the red carpet. Festival organizers have officially banned transparent outfits and full-body exposure, citing the need for “elegant standards.” While some welcomed the return to tradition, others argued the move borders on censorship and stifles personal and artistic expression — especially in a setting known for celebrating avant-garde style.
Cinema remains at the heart of Cannes. India and Spain stand out among the most visible participants this year. Indian filmmaker Neeraj Ghaywan’s drama “Homebound,” starring Janhvi Kapoor, and a restored version of Satyajit Ray’s classic “Aranyer Din Ratri” have both been met with warm praise. Spain counters with Oliver Laxe’s “Sirat” and Carla Simón’s “Romería,” both selected for the main competition and already stirring buzz among critics.
French actress Juliette Binoche heads the main competition jury this year — a decision welcomed by many in the industry who view her as both an artistic force and a moral compass. Hosting duties for the opening and closing ceremonies have been entrusted to actor Laurent Lafitte, whose sharp wit has kept the tone light amid heavy subject matter.
Cannes 2025 proves, once again, that cinema is not merely about spectacle, but about reflection. It offers a space where the world’s beauty, contradictions, and conflicts are projected onto the screen — and where applause often follows not only art, but courage.
